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Concerts featuring NDR Vokalensemble in season 2024/25 or later
Where is the waltz at home? Exactly, in Vienna. It was there that the North German composer Johannes Brahms was inspired and became an enthusiastic waltz pianist. But wouldn’t »singing waltzes« be even more beautiful, he thought. Of course, and so he composed the entertaining »Liebeslieder-Walzer«. Singing and dancing along is definitely encouraged!
»Elbphilharmonie Visions« enters its second round with musical fireworks: under the baton of chief conductor and festival initiator Alan Gilbert, the NDR Elbphilharmonie Orchestra performs the new work »World Builder, Creature« by young British high-flyer Alex Paxton. »I want to make music that makes me feel most alive when I’m writing it and when I’m listening to it,« explains the 33-year-old. The result: an unmistakable blend of video game soundtracks, virtuoso chamber music and jazz improvisation, which was honoured with the Claussen Simon Composition Prize.
Commissioned by Vienna’s »Tonkünstler-Societät« (»Society of Musicians«), Mozart wrote the cantata »Davide penitente« (»David repents«) for Lent, using parts of his large-scale Mass in C minor. He follows in the footsteps of composers including Johann Sebastian Bach with this cantata, written for a benefit concert in aid of widows and orphans of professional musicians. In Bach’s Christmas Oratorio and Mass in B minor, he presented top-class music that had already been composed in a new form.
British conductor Simon Halsey leads »SINGING!« 2025 and, together with the NDR Vokalensemble, the award-winning choral conductor wants to breathe new life into the participatory concert after the coronavirus years. Register now to take part!
Martina Batič has already conducted the world’s best choirs such as the Swedish Radio Choir and the Bavarian Radio Choir. Now the Slovenian is visiting the NDR Vokalensemble as a guest conductor. For her debut, Martina Batič has chosen contemporary vocal works from Northern Europe and the Baltic States. Sven-David Sandström’s elegiac choral music »Sonnets of Darkness and Love« opens the programme. Dedicated to his compatriot, the Swedish jazz musician Nils Landgren, wistful blues vocals and the warm sounds of a trombone rise above the muted vocal fabric.
Put down the gaming console, get off the couch – and into the Elbphilharmonie! On this evening, the hits that make the hearts of all gamers and science fiction fans beat faster are on the programme: music from »Fortnite«, »Starfield«, »Clash of Clans« and »Chrono Cross« as well as from »Star Trek«, »Star Wars«, »Interstellar« and »The Matrix«. And all performed live by real people from the NDR Elbphilharmonie Orchestra in the galactically spectacular hall of the Elbphilharmonie! It’s not only a feast for the ears, but also for the eyes. The composers and arrangers were happy to use the full range of the high-gloss orchestral sound to depict the most daring fantasy worlds – the creation of which can be best observed at the Elbphilharmonie.
Put down the gaming console, get off the couch – and into the Elbphilharmonie! On this evening, the hits that make the hearts of all gamers and science fiction fans beat faster are on the programme: music from »Fortnite«, »Starfield«, »Clash of Clans« and »Chrono Cross« as well as from »Star Trek«, »Star Wars«, »Interstellar« and »The Matrix«. And all performed live by real people from the NDR Elbphilharmonie Orchestra in the galactically spectacular hall of the Elbphilharmonie! It’s not only a feast for the ears, but also for the eyes. The composers and arrangers were happy to use the full range of the high-gloss orchestral sound to depict the most daring fantasy worlds – the creation of which can be best observed at the Elbphilharmonie.
Put down the gaming console, get off the couch – and into the Elbphilharmonie! On this evening, the hits that make the hearts of all gamers and science fiction fans beat faster are on the programme: music from »Fortnite«, »Starfield«, »Clash of Clans« and »Chrono Cross« as well as from »Star Trek«, »Star Wars«, »Interstellar« and »The Matrix«. And all performed live by real people from the NDR Elbphilharmonie Orchestra in the galactically spectacular hall of the Elbphilharmonie! It’s not only a feast for the ears, but also for the eyes. The composers and arrangers were happy to use the full range of the high-gloss orchestral sound to depict the most daring fantasy worlds – the creation of which can be best observed at the Elbphilharmonie.
Even before George Frideric Handel began his oratorio »Solomon«, he apparently knew that he would have more musicians than usual at his disposal for the premiere. And so Handel took every liberty in his composition, writing for a large wind section, additional strings and powerful double choirs. The subject is made for legendary (sonic) richness: Handel places the biblical King Solomon at the centre of the action and thus the most important stages in the life of the wise ruler – the first act opens with grandiose choruses of joy at the building of the temple in Jerusalem. The second act is full of drama, in which King Solomon has to decide between two women who are fighting over a child. In a touching aria, the composer reveals the real mother’s renounced love. And in the finale, none other than the Queen of Sheba appears to philosophise with King Solomon about the power of music.
As part of the Hamburg International Music Festival, the NDR Elbphilharmonie Orchestra devotes itself to an epoch-making opera under the direction of its principal conductor Alan Gilbert: Alban Berg’s »Wozzeck«. With its sensitive and completely honest portrait of a society undermined by militarism and the abysses into which it thrusts people, the opera became one of the greatest achievements of the Weimar Republic – an achievement which continues unabated to this day. In the band of opera stars, who embody the characters in this harrowing drama, one stands out in particular: Matthias Goerne in the title role of a young soldier on the verge of insanity. Started immediately before the outbreak of the First World War, Alban Berg only found the necessary peace to complete his first opera after his military service in the Austrian army. Against the backdrop of the war years, Berg felt all the closer to his protagonist and the opera ultimately became a sounding memorial against militarism and its social impacts. A whole series of productions in opera houses in the German-speaking region soon followed the potentially scandalous Berlin premiere in 1925 – until the piece was banned by the Nazi regime as »degenerate art«. However, this could not stop the global success of this opera.
As part of the Hamburg International Music Festival, the NDR Elbphilharmonie Orchestra devotes itself to an epoch-making opera under the direction of its principal conductor Alan Gilbert: Alban Berg’s »Wozzeck«. With its sensitive and completely honest portrait of a society undermined by militarism and the abysses into which it thrusts people, the opera became one of the greatest achievements of the Weimar Republic – an achievement which continues unabated to this day. In the band of opera stars, who embody the characters in this harrowing drama, one stands out in particular: Matthias Goerne in the title role of a young soldier on the verge of insanity. Started immediately before the outbreak of the First World War, Alban Berg only found the necessary peace to complete his first opera after his military service in the Austrian army. Against the backdrop of the war years, Berg felt all the closer to his protagonist and the opera ultimately became a sounding memorial against militarism and its social impacts. A whole series of productions in opera houses in the German-speaking region soon followed the potentially scandalous Berlin premiere in 1925 – until the piece was banned by the Nazi regime as »degenerate art«. However, this could not stop the global success of this opera.
The NDR Vokalensemble and the Akademie für Alte Musik Berlin perform works by Antonio Lotti, Antonio Vivaldi and Antonio Caldara in the Elbphilharmonie Grand Hall. The conductor is Klaas Stok. Antonio must have been a real fashionable name for a while. How else can it be explained that three Venetians named Antonio achieved world fame at almost the same time? Antonio Lotti, Antonio Caldara, and Antonio Vivaldi, who is still famous today. Born and educated in the musical metropolis of the Baroque par excellence, the three composers developed into Venice’s most important export hits. Greats such as Johann Sebastian Bach studied their works, and Wolfgang Amadeus Mozart stole one or two musical figures for his own compositions.
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